Watched
Beau Miles traverses the Cook River in Sydney, providing an insight into the health of our urban rivers. One of the problems that he highlights is the way in which waterways are replaced with concrete. As Miles mentions, there have been projects to reclaim some such waterways, such as Moonee Ponds Creek.

On a similar note, Katerine Rapin discusses efforts to reclaim rivers using oysters and grasses.

Replied to Badges Instead of Grades (Harvard Graduate School of Education)

The Democratic Knowledge Project proposes another way to measure student learning

Lory Hough discusses the use of badges in conjunction with mastery of learning as a means of circumventing the need for grades. I think this is really interesting idea, the use of badges as stepping stones. My question though is what students do with these badges. For me, I am really intrigued by the idea of ‘constellations’.

In contrast to perspective badge ecosystems, constellations offer an open-ended approach where users can choose from a range of possibilities, carving out any number of pathways. This is conducive to lifelong learning and offers the potential to collected together different achievements to write your own learning story. Open to borrowing from different providers, it is for this reason that it is descriptive rather than prescriptive.

Listened PMP#129: Wherefore the Cover Song? by Mark Mark from prettymuchpop.com

Is re-playing or re-recording a song written and performed by someone else an act of love or predation?

Mark is joined by Too Much Joy’s Tim Quirk, the Gig Gab Podcast’s Dave Hamilton, and the author of A Philosophy of Cover Songs Prof. P.D. Magnus to talk about different types of and purposes for covers, look a little at the history, share favorites, and more.

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

Sponsors: Find a top-rated doctor by visiting ZocDoc.com/PMP and downloading the free ZocDoc app. Check your rate for a loan at upstart.com/PRETTY.

Pretty Much Pop podcast team speak with Prof. P.D. Magnus about his book A Philosophy of Covers Songs. Throughout, they explore various aspects associated with cover songs. The way often start as cover bands, at the very least starting as a fan. The history of covers, including the notion of ‘coverage’ and playing the music people wanted to hear, as well as covering/hiding over other artists, making black artists white. The choice between a straight note for note cover versus a rendition, with the challenge as to change and what to keep. Extending from this, the cover can serve as a meditation on the original or even an answer, which is the case with Aretha Franklin’s cover of Otis Readings Respect. According to Magnus, there are three aspects associated with experiencing a cover, turns the listening onto something new, shows the listener something new in the song and creates a communal experience.
Listened Should we be wary of so-called coaches? from abc.net.au

Gone are the days when coaches were only found in sporting clubs. Now, there are coaches for almost every aspect of our lives.

Divorce, retirement, career, intimacy, leadership, weight loss, finance, you name it, someone says they can coach you through it.

But as a completely unregulated field, it’s hard to know exactly what a coach offers and what makes them qualified to offer it.

Hilary Harper speaks with Dr Sean O’Connor and Carly Dober about the different iterations of coaching. With very few regulations and uniform training, there are quite a few approaches when it comes to coaching, such as cheerleading, advice, solution-focused and cognitive behaviour therapy. O’Connor touches on the history stemming from John Whitmore and the GROW approach. They discuss the limits of coaching and how it differs from working with a psychologist.

For me this reminds me of the discussions around the rise of mindfulness.

Ultimately, in different contexts and communities, mindfulness will be defined differently, practised differently, and used toward different goals. But, while these divergent definitions and purposes remain unexamined, and until there is open, clear conversation about this, there is the risk of confusion and misunderstanding as programs are implemented and evaluated.

In both cases it feels like it is important to examine the purpose of the practice so that everyone is clear.

Bookmarked These 3D models take you inside the shattered ruins of some of Ukraine’s cultural treasures (ABC News)

Durand hoped that by producing intricate 3D models, he could offer the world a unique perspective of what was happening to some of these Ukrainian sites.

Emmanuel Durand is capturing the war in Ukraine in a new way, capturing 3D models of various heritage sites as a means of documenting the impact. This reminds me of a piece I wrote a few years ago on imaging and imagining the past.
Bookmarked ‘They said it was impossible’: how medieval carpenters are rebuilding Notre Dame by Kim Willsher (The Guardian)
Kim Willsher discusses the importance of the Guédelon project in regards to the rebuilding of Notre Dame Cathedral. The Guédelon project focuses on using tools and methods available in the Middle Ages as an exercise in ‘experimental archaeology’:

The Guédelon project was dreamed up as an exercise in “experimental archaeology” 25 years ago. Instead of digging down it has been built upward, using only the tools and methods available in the Middle Ages and, wherever possible, locally sourced materials. Now, in an unforeseen twist of fate, Guédelon is playing a vital role in restoring the structure and soul of Notre Dame cathedral.

The biggest challenge is hand-hewing each beam, rather than using a sawmill.

Stéphane Boudy is one of a small team of carpenters at the medieval site, where he has worked since 1999. Boudy, 51, trained as a baker, then an electrician, until discovering his vocation at Guédelon. He explains how hand-hewing each beam – a single piece from a single tree – respects the “heart” of the green wood that gives it its strength and resistance.

“This isn’t just nostalgia. If Notre Dame’s roof lasted 800 years, it is because of this. There’s no heart in sawmill wood,” he says.

I was intrigued by the ‘heart’ of the wood, especially after watching Beau Miles video on saving wood from landfill. I wonder how much heart goes into much in today’s day and age?

Read Barracuda

Fourteen-year-old Daniel Kelly is special. Despite his upbringing in working-class Melbourne, he knows that his astonishing ability in the swimming pool has the potential to transform his life. Everything Danny has ever done, every sacrifice his family has ever made, has been in pursuit of this dream–but what happens when the talent that makes you special fails you? When the goal that you’ve been pursuing for as long as you can remember ends in humiliation and loss?

Twenty years later, Dan is in Scotland, terrified to tell his partner about his past, afraid that revealing what he has done will make him unlovable. Haunted by shame, Dan relives the intervening years he spent in prison, where the optimism of his childhood was completely foreign.

Although I had seen and enjoyed the television adaptations of both The Slap and Barracuda, I had never actually read any of Christos Tsiolkas’ novels. I was partly inspired after listening to Tsiolkas in conversation with Waleed Aly and Scott Stephens, also Barracuda was the only novel available on Libro.fm.

The novel revolves around Daniel Kelly, the son of working class Scots-Irish and Greek parents who gains a scholarship to a prodigious private school because of his swimming abilities, but fails to make it to the Olympics.

Where The Slap had an ensemble cast and Tolstoy-esque ambitions — it sought to render the whole milieu of the multiethnic, suburban Melbourne that is Tsiolkas’s heartland — Barracuda trains its sights firmly on Danny Kelly. Even so, all the characters are vividly drawn.

Mark Lawson on language:

Tsiolkas’s sometimes startling dialogue is part of his mission – along with explicit descriptions of urination, defecation and ejaculation – to set down the texture of how people really live and speak. His characters have a visceral credibility rare in fiction.

There is something strangely engaging about this novel in the way that the problem is referenced early on, the rest of the time we bounce between a before and after, piecing things together. For me, every choice that Dan Kelly makes comes with its own set of consequences. Although we get some sort of resolution in the end, when Kelly gives a gift back to his family, this does not necessarily remedy all of life’s ills, nor does it break free of the restraints placed on us by society.

Read novel by Tim Winton by Contributors to Wikimedia projects

Georgie, the heroine of the book, becomes fascinated while watching a stranger attempting to poach fish in an area where nobody can maintain secrets for very long; disillusioned with her relationship with the local fisherman legend Jim Buckridge, she contrives a meeting with the stranger and soon passion runs out of control between two bruised and emotionally fragile people.

The secret quickly becomes impossible to hide, and Jim wants revenge, whilst the poacher hikes north via Wittenoom (out of respect for his father who died of mesothelioma in the town) and Broome to an island off the remote coast of Kimberley beyond Kununurra to escape a confrontation. His subsequent struggles to survive in the hostile environment, knowing that he must try to literally cover his tracks, give this book its gripping denouement.

I decided to read Dirt Music after reading Cloudstreet and listening to Tim Winton speak on Radio National. For me the novel had three key elements, fractured characters, the journeys we go on and the place of space. I think Magdalena Ball captures the novel well in her review.

Dirt Music is a big sprawling novel about the ancient Australian land, about loss, life, death, and redemption, about change and stagnation, but above all about love, and its power to change people. Peopled with small, recognisable, and believable characters, and deep, intense themes, the prose is poetic, and powerful, and at times, the structure experimental, but it is possible to read this book solely for the plot. Fast, engaging, and stunningly beautiful, Dirt Music is the kind of book that can, and should be read, and re-read.

In regards to the characters, I really enjoyed the contrasts, both technically and personally:

Tim: Different tenses and perspectives offer you different things. It helps to distinguish the world that they are in. I used the different tenses to make them seem to be inhabiting worlds of their own – a voice, or tool that they could use to express their personalities, and experiences. Past tense offers authority, distance, and present tense offers emotional immediacy. This technique isn’t new. People have been doing that since long before the birth of modernity. It was just a means for allowing the reader to experience these characters from their own perspective.

It was a strange novel. I kept looking for something drastic to happen, only to realise that things were happening all of the time, crashing over us like waves. Sometimes we just have to notice.

My favourite part of the novel was the description of space. For me, I was taken back to my time in Lancelin a few years ago. I remember travelling north to see the Pinnicles, but we never ventured beyond that. Sadly, I never got the promised fresh lobster. As a place, I always had a feeling that there was always something more happening. Maybe there always is.

Read Cloudstreet by Tim Winton by Contributors to Wikimedia projects

Cloudstreet is a novel by Australian writer Tim Winton published in 1991. It chronicles the lives of two working-class families, the Pickles and the Lambs, who come to live together in a large house called Cloudstreet in Perth over a period of twenty years, 1943 to 1963. The novel received several awards, including a Miles Franklin Award in 1992, and has been adapted into various forms, including a stage play and a television miniseries.

I listened to this book via the ABC Listen App, which provides a selection of different Australian novels to listen to. The tail of two families, the Lambs and the Pickles, whose lives are brought together in a large house on Cloudstreet. I was engrossed by all the different characters and what each brought to the story. I also liked the way the novel placed itself in time by referencing various events through time. I was intrigued to find out that the novel was based on Winton’s own family history, with it serving as something of an honouring of the past.
Bookmarked Essential Tools for Teaching? (mguhlin.org)

If I had to teach history again, I would focus on the following:

  1. An evidence-based instructional strategy with a heuristic to scaffold students as they learn it
  2. A digital tool that supported a wide variety instructional strategies
  3. A way to encourage reflection that led to deeper applications of strategy and digital tool.
Miguel Guhlin reflects on the process of selecting the right tool for teaching.
Watched 2022 film directed by Dan Trachtenberg by Contributors to Wikimedia projects from Wikimedia Foundation, Inc.

Prey is a 2022 American science fiction action horror film based on the Predator franchise. It is the fifth installment and is a prequel to the first four films, being set in the Northern Great Plains in North America in 1719. The film is directed by Dan Trachtenberg and written by Patrick Aison. It stars Amber Midthunder, Dakota Beavers, Michelle Thrush, Stormee Kipp, Julian Black Antelope, Bennett Taylor, and Dane DiLiegro. The story revolves around Naru, a skilled Comanche warrior, who is striving to prove herself as a hunter. She finds herself having to protect her people from a vicious, humanoid alien that hunts humans for sport, as well as from French fur traders who are attacking her people and destroying the Buffalo they rely on for survival.

Although there were elements that seemed a little far-fetched, I enjoyed this addition to the Predator franchise, especially the heroine. I also liked the comparison between the predator and the colonisers.
Watched 2021 South Korean Netflix TV series by Contributors to Wikimedia projects from Wikimedia Foundation, Inc.

Squid Game (Korean: 오징어 게임; RR: Ojing-eo Geim) is a South Korean survival drama television series created by Hwang Dong-hyuk for Netflix. Its cast includes Lee Jung-jae, Park Hae-soo, Wi Ha-joon, HoYeon Jung, O Yeong-su, Heo Sung-tae, Anupam Tripathi, and Kim Joo-ryoung.

The series revolves around a contest where 456 players, all of whom are in deep financial hardship, risk their lives to play a series of deadly children’s games for the chance to win a ₩45.6 billion (US$35 million, €33 million, or £29 million as of broadcast) prize. The title of the series draws from a similarly named Korean children’s game. Hwang had conceived of the idea based on his own economic struggles early in life, as well as the class disparity in South Korea and capitalism. Though he had initially written it in 2009, he was unable to find a production company to fund the idea until Netflix took an interest around 2019 as part of their drive to expand their foreign programming offerings.

Finally got around to watching Squid Game. What I liked the most was the exploration and redemption of characters.