Bookmarked The Making (and Unmaking) of Paul’s Boutique by Michael Diamond, Adam Horovitz (Vulture)
The Beastie Boys made a masterpiece. And then they were foiled by Donny Osmond.
In this excerpt from a book about the Beastie Boys, Michael Diamond and Adam Horovitz reflect on the making of Paul’s Boutique. It is always interesting seeing behind the curtain. Sadly, there was no mention of the saga around the samples. I guess I will need to buy the book.


Anyway, back to the (re)recording of our album. After we got through a couple of songs — “Shake Your Rump” and “Car Thief” — we listened to what we’d done and realized, Fuck — what we had from Matt’s house was better. Yeah, some of the new vocals were stronger on the new versions, but overall we were disappointed. We went more “pro” and lost some of the grit. This happens often when bands rerecord their demos — they get a more polished recording but lose some of the magical essence of the demo. Yeah, that’s right: magical essence.

Not long after Paul’s Boutique came out, I ran into our old friend Dante Ross. He told me that he had just heard our new record. He said (in a positive way), “Yo, I just heard your new record, it’s all right. It’s got like two songs on there.” There’s actually 15 songs on the track list, so I assumed that he meant that only two of those 15 were anything that anyone would want to listen to. We’ve used this quote about a thousand times since. “Yo, you heard that new Radiohead joint? It’s got like one and a half songs on there.”

So we sit down, and before we can ask our whats and whys, he’s like … “Look, guys. I’m a Dead Head, so I know where you’re at. The company’s just really busy right now. We’re all just focusing and working really hard on the new Donny Osmond album, so, next time. Okay?” Wait … What?! What he had just said to us, the multiplatinum fight-for-your-right-to-party guys, is … Forget about the record you just spent the past couple years making. Forget that you made a huge and bold move severing ties with Rick, Russell, Rush, and Def Jam. Forget all this life-changing shit that’s happening to you as a band, people, and friends. Because … Donny Osmond’s new record is just a little more important than yours. Just go back, make another record, and we’ll see what happens when that happens. Everything’s gonna be fine.

Industry rule No. 4080: Record-company people are shaaady. The teeny-ponytailed/phony-baloney hippie-costume/looking-like-an-undercover-cop guy was replaced soon after by … some other middle-aged-white-guy record executive. To quote the great Donny Osmond … “One bad apple don’t spoil the whole bunch, girl.”

via Katexic/

Listened Product Hunt Radio | The dark side of the web w/ Anil Dash and Allison Esposito | Episode 134 by Ryan Hoover from Product Hunt Radio

On this episode we're joined by Anil Dash and Allison Esposito. Anil is CEO of Glitch, a friendly community where developers build the app of their dreams. Allison founded Tech Ladies, a community that connects women with the best jobs in tech.
We reminisce about the good ol' days of IRC, Friendster, AIM, and MySpace. A lot has changed since then, yet they continue to exhibit some of the same dynamics and challenges of today's massive social networks. We also talk about the challenges of building a healthy community on the internet in a time when careers and reputations can be destroyed in an instant. Of course, we’ll also cover some of our favorite products that you might not know about.

Ryan Hoover speaks with Anil Dash and Allison Esposito about the web. They discuss some of the history, what their involvement has been and thoughts moving forward. Some of the interesting points discussed were:

  • The Challenge of community verses team
  • Going to where the people are (Facebook) verses creating a new space


There’s something about community that if you’re doing it right, it should feel like a mix of it just happened and it’s natural. – Allison

It turns out the hosting of the video wasn’t the thing, the community is the thing and it has a value. Whether you create an environment that you feel people can express themselves in is a rare and special and delicate thing. — Anil

via Greg McVerry

Bookmarked Why History Matters (Hack Education)
No doubt, the pedagogical practices associated with the blackboard have shifted over the course of the past two hundred years. Now it’s more likely to be a device used by a teacher (a female teacher, a shift facilitated by Horace Mann’s normal schools) and not the student. Increasingly, I suppose, it’s a whiteboard, perhaps one with a touchscreen computer attached. But it is still worth thinking about the blackboard as a disciplinary technology – one that molds and constrains what happens in the classroom, one that (ostensibly) makes visible the mind and the character of the person at the board, whether that’s a student or a teacher.
In this talk to design students from Georgetown University, Audrey Watters unpacks a history of educational technology often overlooked. Too often when we talk about EdTech we rush to talk about the computer. The problem with this is that it overlooks so many developments and decisions that led to that point. To explain her point, she discusses the origin of the blackboard. What I found interesting were the pedagogical practices associated with its beginnings. A reminder of how technology is a system. I think that too often we choose narrative and convenience over complexity within such conversations.
Liked A philosopher explains how our addiction to stories keeps us from understanding history by Angela Chen (The Verge)
historical narratives seduce you into thinking you really understand what’s going on and why things happened, but most of it is guessing people’s motives and their inner thoughts. It allays your curiosity, and you’re satisfied psychologically by the narrative, and it connects the dots so you feel you’re in the shoes of the person whose narrative is being recorded. It has seduced you into a false account, and now you think you understand. The second part is that it effectively prevents you from going on to try to find the right theory and correct account of events. And the third problem, which is the gravest, is that people use narratives because of their tremendous emotional impact to drive human actions, movements, political parties, religions, ideologies. And many movements, like nationalism and intolerant religions, are driven by narrative and are harmful and dangerous for humanity.
Bookmarked The Dead Beneath London's Streets by Linda Rodriguez McRobbie (Smithsonian)
Human remains dating back to the Roman Empire populate the grounds below the surface, representing a burden for developers but a boon for archaeologists
Linda Rodriguez McRobbie discusses an exhibition showcasing some of the archeological discoveries in London. This is not only an insight into the past, but also the way the past is kept and what stories are able to be told. Many discovers have been lost in time, either thrown in the rubbish or sureptiously added to private collections.


This history of London, punctuated by the ebb and flow of populations, means that the physical remains of countless Londoners sit just there, under the pavements. Heathrow Airport? Construction uncovered fragments of a Neolithic monument, bronze spearheads, a Roman lead font, an early Saxon settlement, and medieval coins, evidence of 9,000 years of near-continuous human habitation. Just feet from the MI6 building – the one blown up in Skyfall – archaeologists discovered the oldest structure in London: 6,000-year-old Mesolithic timber piles stuck deep in the Thames foreshore, the remains of a structure that once sat at the mouths of the Thames and the River Effra. In the basement of Bloomberg’s new European headquarters in the heart of the City, there’s a modern shrine honoring an ancient temple, the Roman Mithraeum, built in 240 A.D. next to the river Walbrook to honor the Roman god Mithras.

Parliament passed legislation the following year requiring developers to plan to manage a site’s history before obtaining permission; if a developer is unable to preserve finds in situ, which is preferred, there must be a plan to preserve them in record or offsite. But, crucially, developers are required to pay for everything, from the site assessments to the excavation itself

without the need to constantly reinvent this ancient city, archaeologists would never get the chance to see what (or who) is under those office blocks and terraced houses.

Bookmarked To ‘the teacher who but dares to purpose’ by Benjamin Doxtdator (Long View on Education)
The Textbook or a Problem to Solve   In 1920, Sister Domatilla published the results of her experiments with a new kind of pedagogy called ‘the project method’. Writing in The American Journal of Nursing, she explains her concern that “old methods of teaching” do not give students “a genu...
Benjamin Doxtdator takes a look at the history of project-based learning. He unpacks Fitzpatrick’s 1918 paper ‘The Project Method: The Use of the Purposeful Act in the Educative Process’ and wonders why other voices, such as Sister Domatilla and Booker T Washington, are often lost in the story over time. Doxtdator also provides a long list of alternative interpretations of ‘project’.