My family and friends have a tradition of selecting a word to bring into the new year. Just one, single word. The word provides as a kind of âtinctureâ to the year â its purpose being to regularly nudge you along a path of your choosing â a path that strengthens you in some way.
I have discussed my concern with goals elsewhere.
Many argue that something is not right with social media as it currently stands. This post explores what it might mean to make Twitter great again?
Responding to Jack Dorseyâs call for suggestions on how to improve Twitter, Dave Winer put forward two suggestions: preventing trolling and making changes. Some of the particulars Winer shares include giving control over who can reply, eliminate character count and allow organisations to curate lists. Although I agree with Winer about some of these changes, I wonder if the answer to improving Twitter is always to make Twitter great again?
I feel the ways I use Twitter have changed considerably this year. My one word this year has been âintentâ. A part of this is being more aware of my âprosumptionâ online. One of my concerns is that Twitter is not the Twitter it once was for me. In short, it feels like there has been an increase in branding, as epitomised by ASCDâs recent spotlight on edu-twitter influencers. There has also been a rise in hostility and abuse. Some of which is automated, some of which perpetuated by crowds.
Although I have not wiped my account and started again, as Anil Dash did, I definitely started reviewing my practice and participation there. To be fair, my participation on Twitter has taken many guises over time. In the past it was the place where I shared ideas and connected the dots. The problem I found was that although I could dive back into my archive, it was far from organised. If this was my âoutboard brainâ (as it had seemingly become) it had become rather chaotic. Initially, I adjusted things to syndicate to Twitter using Dave Winerâs Radio3 linkblog platform. I then moved to sending from my own site, however this did not feel right.
I wondered why I was actually sharing on Twitter (and every other site, such as Google+ and Tumblr), especially after reading Ben WerdmĂźllerâs reflection on POSSE. Maha Bali suggests that sharing is a reciprocal act:
If this is so then isnât it enough to share via my blog and rely on pingbacks and webmentions for reciprocity? As Kicks Condor describes:
Posting on Twitter therefore lacked purpose, contributing to something I did not feel comfortable with. As I have elaborated on in the past:
I also thought that if these links were for me then why not simply post them on my own site, what Greg McVerry describes as a social media of one. Posting on Twitter has now become about sharing if there was actually someone in particular that I felt might be interested and that was my main point on contact.
Some have found Mastodon to be the social answer to Twitterâs ills. This is something Doug Belshaw has written about in the past. However, I have never found a place. In part I agree with Ben Werdmuller, who suggested that:
Associated with this, I have tried to engage with Micro.Blog, but feel frustrated by the technological constraints. I love the use of RSS, but personally use my headings for too much to give them up and have yet to crack open the code as John Johnston has.
In the song Miss Those Days, Jack Antonoff sings about pining for the past:
I think this conundrum captures the desire to return to what Kicks Condor has described as a weird Twitter. Although I was not tgere for the weirdest of times I remember my early days of anxiety and axiliration, of constant notifications, questions and check-ins. This is epitomised by Craig Kempâs image of addiction:
Although I never set alarms, there was a time when it encompassed a lot of what I did. I do not regret that time, but it is not necessarily something that I miss. My fast food social media diet has been replaced by one managed around blogs, feeds and comments. I do sometimes feel I miss out on some things, but trust that if I need to know something that I will probably capture through some other means.
What I am left most intrigued by is how my thinking has changed since I started talking with Dr. Ian Guest about this topic. Ironically, I think that his investigation inadvertently spurred my own inquiry. The ever present flanogropher.
NOTE: This post has sat in my drafts brewing for a few months. It involved a range of research. I apologise if it is inconsistent or incoherent, it is a topic that I have been really grappling with. I would love to know if anybody else has any thoughts. As always, comments and webmentions welcome.
Also posted on IndieNews
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Letâs Make Twitter Great Again? â A Reflection on a Social Media of One by Aaron Davis is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Reflecting on my year in space last year and my theme of ideas for the new year.
For a few years now, inspired by Kath Murdoch, I have been choosing a word to focus on each year. Last year I made a change, where rather than thinking about outcomes, I instead turned to inquiry.
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This is something that CGP Grey touches upon with the idea of a yearly theme that is âbroad, directional and resonantâ. Although this focus may not have a direct impact on my work and relationships, for me it helps keep me focused when life becomes so busy.
Last year I explored space. After my focus on flânerie, I had wondered about the space that helps make such practices possible. I had a heap of books I intended to jump into, such as The Production of Space and Assemblage Theory. However, then the COVID-19 hit and ironically changed the space. Instead, my collected reflections seemed to became about online learning, remote work and social distancing.
Still thinking about some of these things, I felt that an interesting theme to dwell on was the notion of ideas. Here then are some of my initial thoughts:
History of ideas: How are ideas developed over time?Ideas in space and time: What is the impact of context on ideas?Bad ideas, good ideas and the way ideas produce other ideas: What is the difference between good and bad?Musical ideas: What does it mean to have an original idea in music?Assemblages and ideas: What is an idea and how does this differ from an assemblage?Creating the space for ideas to fester: What are the conditions required for ideas to prosper?Ideas and manifestos: What is the difference between an idea and an ideal?
So my journey continues from capacity to communication to intent to flânerie to space to ideas. Appreciate any thoughts or ideas about resources on the theme of ideas.
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My One Word for 2021 is Ideas by Aaron Davis is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Inspired by Kath Murdoch, I have long had an approach of selecting one word as a focus for the year. Last year, my word was âideasâ. I think I had the idea that I would dig into different ideas. I started off reading Bertrand Russellâs A History of Western Philosophy. Although this started many threads, life got in the way to tying any of them together. The year subsequently became a collection of beginnings:
In the end, I actually ended up committing myself to a return to reading (or listening to books). In part for ideas, but really for solace.
Therefore, having felt like 2021 was something of a right-off in regards to achieving my own desired outcomes, I was not sure about 2022. Like Austin Kleon, I feel dormant. I therefore thought having a focus was not a priority. I thought then that instead of having a word with particular outcomes perceived, I would instead return to a meditation on a theme or topic.
One of the strange things about the current malaise is that I feel like I both have too much time to think and too little time to do anything. Listening to Damian Cowellâs podcast associated with his album involving diving into his early years, I was led down my own rabbit hole. Associated with this, I started reading Marcel Proustâs In Search of Lost Time. This only furthered my reflections on the past. I therefore decided that my word for 2022 would be memories.
Whether it be reading more memoirs, such as Tony Martinâs Lolly Scramble, writing reflections of my own, such as my post on Changing Tracks, or simply diving into the idea of memories in general. I am going to dedicate this year to letting go of setting stringent expectations on myself and commit myself to letting my mind just wonder. Start often, finish rarely?
So what about you? Have you got a word or any thoughts on memory. As always, comments welcome.
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My One Word for 2022 is Memories by Aaron Davis is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Something happened today that led me to finally write this reflection on my âone wordâ for 2023, I accidentally marked all my posts in Inoreader as read. This in itself might not seem like much, but for so long my RSS feeds have been the dots that have seemingly helped me make sense. I have worked tirelessly over the years to collate my list. Yet, lately, something has not quite seemed the same. Althought I had seemingly given up keeping on top of my feed, I was still going through every now and then to flick left and right. However, after clearing my lists, that is no more.
It feels like so many have spoken about quitting Twitter of late and moving to Mastodon. That is fine. However, I think there has been a bigger change in the social media space for me beyond the purchase of Twitter by Elon Musk. Although with a focus on RSS I may not be constricted by the usual templated restrictions associated with social media, I have come to feel that my habit of staying on top of my feeds has come to serve as its own sort of restriction.
For nearly seven years I have maintained my Read Write Respond newsletter. This involved reviewing all âmy dotsâ across the month to identify the key points. This served as a regular point of reflection. Although there have been changes in that time, such as including quotes, a focused section, extending the summaries, writing a monthly update, over the time I feel that the dots and habit itself have somehow come to take more precedence than the greater purpose that they were meant to serve. I was intrigued by a comment that Ian OâByrne wrote about his newsletter:
I had long described my newsletter as:
I just wondered if this really mattered anymore? A few years ago I wrote a piece on âbecoming informedâ:
Although I still agree with this, I wonder if the real challenge is learning to live in a world where you do not and cannot know everything? I feel that my newsletter had become my means of trying to control the present, rather than admitting that it is ok to not know that latest update regarding artificial intelligence or whatever it maybe. This is not to say that artificial intelligence is not important, but that maybe in trying to stay informed about everything, you never really know anything.
So to return to the beginning of this piece, for a few years now, I have been choosing one word as a focus for the year. As the new year comes and I am not sure what the new word will be, I always feel there is something that stands out. This year, the word that stood out was âvulnerabilityâ. This was solidified while reading Nick Caveâs Faith Hope and Carnage. I was struck by Caveâs discussion of vulnerability and the willingness to being open to failure:
I think that over time I have become wedded to the present, rather than opening myself up to going deeper into various ideas. Therefore, some of the ways that I envisage being more vulnerable include:
Putting my newsletter on hiatus.Write for myself and when I can, rather than feeling I have to.Reviewing the dots and feeds that I consume, accepting that sometimes it is ok to miss out.Read more books and get deeper into ideas, a return to responding.
As always, please let me know if you have any further suggestions.
If you enjoy what you read here, feel free to sign up for my monthly newsletter to catch up on all things learning, edtech and storytelling.
My One Word for 2023 is Vulnerability by Aaron Davis is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.