🎵 Mixing Colours (Roger Eno And Brian Eno)

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1. I remember seeing Client Liaison perform for the first time for ABC’s New Years Eve This Night is Yours concert. One cannot help be transfixed. Are they for real? I guess artifice comes in many shapes and sizes.
   Their new album continues along this journey, this time in search for a higher power. There is something about their slick sound that leaves me both full and yet wanting more. In some ways, just as Roger and Brian Eno’s album felt like the perfect album for the start of the pandemic and the world wide lockdown, Divine Intervention seems the right album to shake out the blues and get out on the dancefloor again (even if that dancefloor may be alone in a kitchen with headphones or while watching an hour of crochet.)
   One of the other aspects that interests me about this album are the various writers and producers in support, including Nick Littlemore, Dann Hume and Francois Tetaz.
   Place between The Midnight and Red Hearse.
   Marginalia

   If Client Liaison started a cult, there’d be plenty of people queuing for the front door – and Divine Intervention is a great text of holy works, filled with anti-corporate goodness and an adamance for the cure of the club. Let’s hope the next testament is as exciting.
   @beatmagazine https://beat.com.au/review-ascend-to-heaven-with-client-liaisons-divine-intervention/

   While it’s impossible to look past recent singles such as “Champagne Affection”, “Strictly Business”, or the infectious “Elevator Up”, the rest of the record truly feels like something akin to a ‘greatest hits’ package for Client Liaison.
   Sure, some naysayers might write off their music as being a little cheesy, but when you’re having this much fun, does it really matter?
   @rollingstoneaus https://au.rollingstone.com/music/music-album-reviews/client-liaison-divine-intevention-review-31568/

   Client Liaison know who they are and what they do, and they play to those strengths without hesitation. Even if you’re not willing to play along, there’s no denying the hooky craft of Divine Intervention – immaculately produced synthpop soaked in hooks and kitsch that’s making sure you’re having as much guilt-free fun as they are.
   Al Newstead https://www.abc.net.au/triplej/news/musicnews/client-liaison-divine-intervention-album-business-booming-usual/13570576

   When you’re autonomous and might not have too much responsibility or not have a family and things like that, then the truth doesn’t really matter. And that’s why people nowadays feed themselves their own narratives. And it kind of speaks to how the world works.
   So I guess Divine Intervention was us realising that. Like all else has gone, let’s throw in the towel and return to our primitive ways and embrace higher religion or something. It was “Reject everything”, a bit of a crisis with the world and just be like, “We need a divine intervention, something bigger needs to come down” because everything’s just a bit crazy and chaotic and truth no longer exists. So if truth doesn’t exist, then let the clouds part and come down, Jesus.
   Harvey Miller https://musicfeeds.com.au/features/interview-client-liaison-divine-intervention/

   With the NFT boom, a lot of people would be somewhat familiar with what NFTs are, it’s a new marketplace. We wanted to participate in that because we thought we’d do so whilst also making comments about the nature of NFTs as well. It’s quite self-reflective. NFT’s are somewhat intangible, so we thought it would be fun if we actually sell something that’s even more intangible than the NFT itself as a sort of comment on NFTs.
   So there’s a bit of subtext and conceptual slant to the act itself and we thought it would be fun. At the end of the day, it kind of says that Client Liaison belongs to all the people and it’s yours, it’s not just selling the soul of Client Liaison it’s like giving it back to the fans.
   Harvey Miller https://musicfeeds.com.au/features/interview-client-liaison-divine-intervention/

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2. Although a little late, here is the music that soundtracked 2021 for me and how it kept me surprised.

   Ancient Dreams in a Modern Land – Marina

   I always love serendipitous discoveries. Bored one day, I created a set of arbitrary rules on Spotify to decide what I would listen to. It was something like clicking on the fifth artist in the ‘Fans Also Liked’ three times. Doing this, I came upon Muna’s remix of Marina’s track Man’s World and I went from there.

   I feel like this album has a bit of everything. There are aspects of slick pop production, balanced with a mix of punk, all done with a touch of melodrama. Overall, it is shouty without actually shouting. As Damian Morris explains:

   Anti-misogyny manifesto pop could easily become clumsy and overwrought, but the joy Marina invests into her mannered, quasi-operatic delivery makes sedition sound seductive.

   Damian Morris https://www.theguardian.com/music/2021/jun/13/marina-ancient-dreams-in-a-modern-land-review-ambitious-manifesto-pop

   Sixty Summers – Julia Stone

   It is interesting how there are some artists that you overlook because you presume you already know what they are about only to discover a whole other side that you were unaware of. In 2020 it was Sufjan Stevens, while in 2021 it was Julia Stone.

   It is easy to imagine another version of Sixty Summers at the hand of somebody like Stuart Price. Although it always threatens, it is always held back. Whether it be the tempo or the particular mix. Overall, I really liked the delicate and sparse nature of this album. In part this is a product of Stone’s voice, but I also feel it is result of Thomas Bartlett and Annie Clark production.

   Deep States – TFS

   There is a quote from Peter Goldsworthy that I come back to again and again, “cartoon descriptions, how else to describe a cartoon world.” I think that there is something to be said about TFS being the soundtrack for the current crisis. As Gareth Liddiard suggests, maybe the world has just caught up with a perspective they have been plying for years.

   “With TFS, I think the world just caught up to our thing. We’ve been plying our trade for years and I think the world has finally become as anxious and neurotic as we’ve always sounded,” says Liddiard.

   @beatmagazine https://beat.com.au/how-gareth-liddiard-overcame-give-a-fuck-fatigue-for-tfs-third-lp-deep-states/

   I must admit, there are times when I listen to TFS and I just feel kind of stupid for not following all the references littered within the music. Maybe that it how it is meant to be, not sure. Overall though there is something compelling about it that just keeps me there. There are moments where the clouds clear and clarity shines through, such as in GAFF.

   I’ll take the wages of sin over the minimum wage
   I’d blow myself up too, man, it’s been one of them days
   But I’m not a kamikaze, I don’t wanna die a martyr
   I’m just looking for a latte and a fucking phone charger

   https://tropicalfstorm.bandcamp.com/track/g-a-f-f

   Divine Intervention – Client Liaison

   I remember seeing Client Liaison perform for the first time for ABC’s New Years Eve This Night is Yours concert. One cannot help be transfixed. Are they for real? I guess artifice comes in many shapes and sizes.

   Divine Intervention is an album in search of higher power. There is something about their slick sound that leaves me both full and yet wanting more. In some ways, just as Roger and Brian Eno’s album felt like the perfect album for the start of the pandemic and the world wide lockdown, Divine Intervention seems the right album to shake out the blues and get out on the dancefloor again and the new normal, even if that dancefloor still may be alone in a kitchen with headphones.

   Only the Shit You Love – Damian Cowell’s Disco Machine

   Damian Cowell has a knack of taking a morsel of an idea to its nth degree. In the age where bands release a series of singles prior to the album launch, Cowell took this a step further releasing his who album on a weekly basis as a YouTube series, until finally release the album as a whole.

   Only the Shit You Love is a snapshot of the modern world.

   The modern world, product placement, continuous improvement, the culture of engagement, the diminution of language, the moronisation of television, imposter syndrome, subjectivity, my career demise, the heard instinct, popularism, the death of reason, nostalgia, love, lose, tolerance and friendship.

   https://damiancowell.bandcamp.com/track/episodes-1-and-2-only-the-shit-you-love-and-disco-machine

   As always, it contains Cowell’s usual witty observations on the world. However, one of the changes to the first two Disco Machine albums was exploration of different dynamics and tempos. The usual upbeat tracks are still present, but they are contrasted by a number of slower numbers. Overall, coupled with a weekly podcast, this album was the perfect ailment for what felt like a perpetual lock-down.

   One of the things that music offered me in 2021 was a sense of surprise. With so much of life in lockdown somewhat mundane, these albums each in their own was offered something new, unexpected and seemingly novel.

   So what about you? What albums soundtracked your 2021? Were there any themes that tied things together? As always, comments welcome.

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   Music of 2021 in Review, or the Year of Serendipity and Surprise by Aaron Davis is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
   

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