I had never consciously heard Marina Diamandis’ work, so I was intrigued. Ancient Dreams in a Modern Land never quite settles, touching on rock, pop, ballads, always moving on.
Anti-misogyny manifesto pop could easily become clumsy and overwrought, but the joy Marina invests into her mannered, quasi-operatic delivery makes sedition sound seductive.
I also enjoyed watching parts of the Live from the Desert performance.