πŸ’¬ I love rugby league

Replied to DoubleJ (view.mail-list.abc.net.au)

Paul Kelly, Tones and I and Dean Lewis are all hugely popular local artists who make this Saturday’s AFL Grand Final feel even more special than it already does.

The choice of OneRepublic for the NRL next weekend is embarrassing. They have mainstream appeal, but there’s no sense of pride in seeing a US band going through the motions on what will be just another stop on a lame promo tour.

The AFL has made some shocking calls in the past, but they’re improving in a post-Meatloaf world.

Dan, AFL have not always gone ‘local’. I think The Killer’s performance a few years ago nailed it.

The Killers too was clearly a part of a ‘promotional tour’, but they made it so much more. There single at the time The Man kind of fitted with football mantra of individual brilliance:

I’m the man
I’m the man
I got gas in the tank
I got money in the bank
I got news for you baby, you’re looking at the man
I got skin in the game
Headed to the hall of fame
I got news for you baby, you’re looking at the man

Although I think that there maybe a little bit of tongue in cheek to bravado of that song, but let’s just leave that aside.

They captured the Australian audience with a powerful rendition of Midnight Oil’s Forgotten Years:

The choice of this track to me was edgy. It had a political bent that worked. Something that felt authentic with some of The Killers’ other efforts.

Lastly, Brandon Flower’s nouse to allow Jack Riewoldt to sing Mr. Brightside was perfect:

For a moment, Riewoldt lived out many people’s dream to not only win a premiership, but belt out a rock classic on stage with the actual band. Even if the guy on the mixing desk was thrown a curve ball, I am not sure anyone really cared.

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