๐Ÿ“‘ The Sound Engineer Behind Bon Iver’s “22, A Million” Clears Up Any Confusion About Its Technical Creation

Bookmarked The Sound Engineer Behind Bon Iver’s (W Magazine)

Chris Messina figured out the perfect combo of software and hardware that lets Justin Vernon sound the way he does. “But here’s the thing,” Messina says. “It’s not a thing.”

Emilia Petrarca discusses the innovation and opportunities provided through the use of The Messina, a mixture of software and hardware, created by Chris Messina. This was inspired by the vocoder and the Prismizer. This sound/technique has not only been used by Bon Iver, but also Banks.

Marginalia

A few days after the Pioneer Works show, Chris Messina was on the phone; he was willing to offer a simplified version of what goes on with his machine. โ€œOnstage, Justin is singing a song, and heโ€™s playing a keyboard that can create harmonies simultaneously,โ€ he said. โ€œNormally, you record something first and then add harmonies later. But Justin wanted to not only harmonize in real time, but also be able to do it with another person and another instrument. The result is one thing sounding like a lot of things. It creates this huge, choral sound.โ€

When I asked Messina to describe what The Messina looks like, he responded, โ€œHereโ€™s the thing โ€” itโ€™s not a thing. Thereโ€™s a laptop running software, and then that software is run through a physical piece of hardware, that is then doing another thing,โ€ he explained. โ€œItโ€™s many things working together and none of them are ours, but the product is. Basically, we used things the way theyโ€™re not normally intended, and we put them together. Thatโ€™s how we get the sound.โ€

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