The kind of story we need right now is unheroic, incorporating social movements, political imagination and nonhuman actors. In this story, time doesn’t progress in an easily digestible straight line, with a beginning, middle and end. Instead there are many timelines, each darting around, bringing actions of the past and future into the present. It collapses nature as a category, recognizing that we’re already a part of it. In a climate change story, nobody will win, but if we learn to tell it differently more of us can survive.
While Le Guin’s future worlds were technology dependant, her writing encouraged readers to think critically about bigger questions concerning society, governance and values.
The problems of technology – and the problems of the storytelling about the computing industry today, which seems to regularly turn to the worst science fiction for inspiration – is bound up in all this. There’s a strong desire to create, crown, and laud the Hero – a tendency that’s going to end pretty badly if we don’t start thinking about care and community (and carrier bags) and dial back this wretched fascination with weapons, destruction, and disruption.
We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art – the art of words.”
— Speech at the National Book Awards upon receiving the US National Book Foundation’s media for distinguished contribution to American Letters on 19 November 2014.