Watched 2023 computer-animated film, directed by Jeff Rowe by Contributors to Wikimedia projects from Wikimedia Foundation, Inc.
I saw Teenage Mutant Ninja Turtles – Mutant Mayhem today. We had a voucher that was running out and there was not really anything else on.

I grew up with Teenage Mutant Ninja Turtles and saw the 2007 remake. I was not sure what to expect from this revamp.

One of the points of difference was the comic-book style used.

Like with his previous outing, The Mitchells vs. the Machines, Rowe wanted Mutant Mayhem to look different from what was expected from an animated film. The director’s aim was to make it heavily resemble the concept art.[33] He was inspired by sketches he made in school notebooks as a teenager and how they tend to have a lot of exaggerated features, spikes, and random effects lines, and wanted the film’s animation to reflect a similar feeling.[34] Rowe described the film’s sketch look as its “North Star”, as the comic book-inspired look was for Spider-Man: Into the Spider-Verse (2018).[12]

Source: Teenage Mutant Ninja Turtles: Mutant Mayhem – Wikipedia

In addition to this, the sound track was done by Trent Reznor and Atticus Ross, which adds a real edge and feel.

Overall, I felt that it was well done. I remember reading on Common Sense Media that it was a film for the family. Although I was not sure about the sadistic torturing, I did feel that it provided aspects for both children and parents alike.

On the review aggregator website Rotten Tomatoes, 96% of 238 critics’ reviews are positive, with an average rating of 7.6/10. The website’s consensus reads: “With its unique visual style and a story that captures the essence of the franchise’s appeal, Teenage Mutant Ninja Turtles: Mutant Mayhem is an animated treat for the whole family.”[78] Metacritic, which uses a weighted average, assigned the film a score of 74 out of 100, based on 47 critics, indicating “generally favorable” reviews.[79] Audiences surveyed by CinemaScore gave the film an average grade of “A” on an A+ to F scale, while those polled at PostTrak gave it an 88% overall positive score, with 70% saying they would definitely recommend the film.[75]

Source: Teenage Mutant Ninja Turtles: Mutant Mayhem – Wikipedia

Bookmarked Trent Reznor on Love of Synths in Book, ‘Patch & Tweak With Moog’ (Rolling Stone)

“It’s good to treat your inspirations as precious. As a lyricist, I can’t tell you how many times as I’m just about asleep, at the last seconds of semi-consciousness, I’ve been thinking, ‘That’s a really good line. I’ll remember it in the morning.’ No chance – it’s instantly gone.”

“So have a little recorder by your bed. You may be thinking you’re going to remember it. I assure you, you’re not. You’ll remember that you had a good idea – ‘what was that thing I was thinking of?’ – but it’s gone. That feeling is the worst.”

In an excerpt from Excerpt from PATCH & TWEAK With MoogTrent Reznor reflects upon electronic music and appreciating the possibilities of an instrument.

It wasn’t because that was the best-sounding sampler, it was because that’s the one I had. It didn’t have enough memory and it did a lot of things poorly, but I’d find every trick you could imagine – from sampling things three or four times higher than they normally are to stretch them out, to using some of the weird aliasing that might come in when something was dropped four octaves down. Because it was all I had, I had to understand it deeply: there was a sense of having mastered it. I haven’t felt that way about any instrument in years – not only because I have more instruments now and I have less time, but also because I have less discipline to spend the kind of time it takes. I’m distracted by the other things that also matter, like writing songs or composing.

I remember being in part inspired by Reznor and Nine Inch Nails’ The Fragile to explore electronic music and step sequencers. I found a site talking about NIN and it had links to various open source applications. However, it has only been more recently that I have come to appreciate subtractive synthesis.

via Ian O’Byrne

Bookmarked Trent Reznor Thinks Artists Should Speak Out (nytimes.com)

The Nine Inch Nails frontman on Facebook, Vietnam and Midwest “weirdo culture.”

Trent Reznor reflects on ‘speaking out’ and argues that there are some artists who are more concerned about protecting their culture.

You don’t hear a lot from the Taylor Swifts of the world, and top-tier, needle-moving cultural youth, because they are concerned about their brand, their demographic and their success and career and whatnot.

Personally, I do not think that every artist could be Trent Reznor or Donald Glover. However, what is forgotten is that everything is political.

I remember Jack Antonoff discussing his track ‘Let’s Get Married’ and how this was in part a response to the recent elections.