Replied to The 250 Best Songs of the 1990s by Pitchfork (Pitchfork)

The tracks that defined the ’90s, including Björk, Biggie, Mariah, Bikini Kill, Aaliyah, 2Pac, and many, many more.

I am always a sucker for these sorts of listicles. Looking back, I feel that it will always be somewhat subjective to where you are or were. For example, there are no Australian artists. Maybe the music does not match up, but I feel that this maybe a reflection of something else.
Listened Four Tet on His 155-Hour Spotify Playlist, the Coolest Thing on Streaming by Andy Cush from Pitchfork

Following the zigzagging path of his curatorial mind, the producer has compiled one of the most kinetic and personal playlists online—with 1,847 tracks and counting

Kieran Hebden discusses his epic Spotify playlist with Andy Cush.

When Hebden launched the playlist in 2016, it was something of a lark, a way to share the spoils of his crate-digging with whoever cared to listen. Within a few months, as it grew in audience and duration—he never deletes tracks, so it’s always getting bigger—he began taking it more seriously. Some Spotify playlists evoke a single vivid but unobtrusive mood, softly massaging the far edges of your attention while the center is occupied with dinner party conversation or lifting weights. This one is more like an ethnomusicology class, or an artwork unto itself. It asks for and earns your sustained engagement, reflecting Hebden’s vast knowledge and puckish personality in its perceptive associations between songs. At some point, for Hebden, it grew from a strictly curatorial outlet into a creative one


For Hebden it started as a desire want his own playlist, rather than trying to get onto somebody else’s. This then led to exploring the ability to create tracks for the playlist, which he did by creating alternative artist profiles. Rather than catering for people who do not care, Hebden’s intent is to create an artefact for listeners to explore.

Another example of a playlist that goes beyond the usual is Dan Snaith’s The Longest Mixtape, also in its own way, the Tapefear app helps with the engagement with serendipity.

One thing that I have noticed in listening to the Only the Shit You Love podcast is the wide range of music and styles referenced. I have therefore compiled a playlist to dig into some of the ‘secret shit’. I am finding that music provides an interesting insight into a different time.
Replied to

Rate the inclusion of TISM in your Melbourne playlist Leigh, just not sure Greg! The Stop Sign is there most ‘Melbourne’ song. Mourningtown Ride seems more pertinent.