Checked into
I was not sure what to expect from seeing Montaigne live at the Corner Hotel. Personally, I was interested in how Making It! would translate to the stage. Although it was the Making It! tour, I did not expect the album to be played straight-through. The point made was that was how it was meant to be appreciated as an album, therefore this is how it was to be played.

In regards to the intricacies of the album or guest performances, these were covered by pre-recorded tracks, something that has become common in the evolution of music performance, or substitutes, with Montgomery stepping in for David Byrne in always be you. The set also closed with ‘the hits’.

The official set time was to finish at 11:20, but Montaigne provided a track-by-track breakdown in-between each track. This included discussions of Pat, failed concept album and the music industry. This blew the set out to 12:00.

One of the other things that I was looking forward to seeing were the support acts. Both Montgomery and Molly Millington were solo acts, supported by pre-recorded tracks, sequencers or guitar. I remember seeing Twinkle Digitz thinking that the all-in-one setup was somewhat quaint. However, it now occurs to me that the support gig comes with certain conditions. I have been at the Corner before where they utilise both the main stage and the smaller stage, but there are challenges which changing over. It made me wonder about the impact on what is possible. For example, I could imagine Montgomery being a band experience, similar to say Chvrches. I feel that I now appreciate Sylvan Esso’s WITH tour. It also makes me think about the way in which Jake Webb reimagines Methyl Ethel for different contexts.

Checked into Art of Fighting – Melbourne Recital Centre
I was a late call-up for Art of Fighting’s 21st anniversary performance of Wires at Melbourne Recital Centre.

The debut album of Melbourne-indie band Art of Fighting, Wires, received widespread acclaim, receiving the ARIA in 2021 for Best Alternative Album, featuring the soaring tracks Give Me Tonight, Reasons Are All I Have Left and Skeletons.

Marking the 21st anniversary of Wires, the band will play the 2001 album in full in the intimate surrounds of Elisabeth Murdoch Hall, in all its grandeur and melancholy. In 2019, after over a decade’s hiatus, Art of Fighting returned with their fourth album the dream-pop Luna Low, showcasing their refined beauty and sonically serene palette.

I loved Wires. It sat alongside Ukiyo-E’s Inland, Prop’s Small Craft Rough Sea and Augie March’s Sunset Studies. It provided space.

“When we’re playing them, there’s so much of a gap between the beats that if we don’t all hit the beat at the same time it’s gonna sound terrible, so it’s like walking a tightrope when you’re playing those really slow tempos,” he added. “And I think it worked really well for the lyrical content for that album, because all of that was about to fall apart any minute too.”

I remember seeing them at the Hi-Fi Bar in 2003, however I feel that Melbourne Recital Centre was a better match for their music. Then maybe again I am just getting old and would rather sit down at gigs.


It was in Oct. 2016, in Berlin, during Michelberger Music. Between each show of the festival, we were kidnapping a person in the audience, which we were taking to a secret room where an artist was waiting. Between the two of them, a unique experience : a One To One concert.

There were seven performances recorded, featuring artists such as Bon Iver:

And Damien Rice:

There is something about the space of these performances that is really captivating. I imagine that watching these performances would be hard.