Scenius stands for the intelligence and the intuition of a whole cultural scene. It is the communal form of the concept of the genius.
In an interview on musical interpretations, Eno suggests:
I always think that whenever you listen to a piece of music, what you are actually doing is hearing the latest sentence in a very long story youâve been listening toâall the pieces of music youâve ever heard. So what you are listening to are tiny differences, tiny innovations. Something new is added, something youâve grown used to is omitted, something you thought you were familiar with sounds different.
While in a conversation with Daniel Lanois, he argues that ‘beautiful things grow out of shit’:
If you walk around with the idea that there are some people who are so giftedâthey have these wonderful things in their head but and youâre not one of them, youâre just sort of a normal person, you could never do anything like thatâthen you live a different kind of life. You could have another kind of life where you could say, well, I know that things come from nothing very much, start from unpromising beginnings, and Iâm an unpromising beginning, and I could start something.
Austin Kleon sums this up as follows:
Genius is an egosystem, scenius is an ecosystem.
Greetings Aaron,
Reading this made me think of the use of the sacred sound âOmâ in Hindu meditation. âOmâ refers to Atman (soul, self within) and Brahman (ultimate reality, entirety of the universe, truth, divine, supreme spirit, cosmic principles, knowledge)… the connection between the ego and the world we live in.
The âcultural sceneâ you mention is a connection between self and the experience of the world. I think of âOmâ in that way, as finding Oneness with your surroundings… with the ecosystem.
Perhaps we all have an understanding of this connection at some level and a walk in nature is a way that we can feel the connection more closely? I wonder if the disconnect from this is one of the roots of the anxiety we see in people today?
Watching documentaries like The Hacienda â The Club that Shook Britain (BBC Documentary), one is left thinking about the âhalyconâ days of The Hacienda. However, Peter Hook pulls back the sheet to reveal the reality of running a club. Although Hook is happy to engage with the usual talking points, such as Madonna playing there or the rise of House music, he also provides insight into the disaster it was from a business point of view and the impact it had.
Source: Review â The Haçienda: How Not to Run a Club by Peter Hook by Luke Bainbridge
This reminded me of something that Brian Eno said in a conversation with Daniel Lanois, that âbeautiful things grow out of shitâ.
Marginalia