Jordan Erica Webber explores whether our privacy has been compromised by the tech giants whose business models depend on harvesting and monetising our data. We speak to cyborg rights activist Aral Balkan; the executive director of UK charity Privacy International Gus Hosein; and to Kevin Kelly, founding executive editor of Wired magazine and author of The Inevitable: Understanding the 12 Technological Forces That Will Shape Our Future.
In the first episode of our four-part miniseries, Jordan Erica Webber asks whether our digital selves are owned by tech firms in a new form of slavery? One of the interesting points made was that in the past, people were often private in public spaces, whereas today things have been reversed, where we are public in private places.
Oz is the fourth studio album by Australian singer-songwriter Missy Higgins, and was released by Eleven on 19 September 2014. It is Higgins' first cover album, which is accompanied by a book of the same name that collects a series of essays by Higgins; using each song title as a jumping off point. The album's title refers to each of the artists covered being from Australia, as well as being a reference to the land of Oz as established in The Wizard of Oz.
I am always intrigued by cover versions. Missy Higgins’ album of covers is intriguing listening. She provides her own twist on a number of classic and contemporary Australian artists.
A few thought about my listening habits. Some microcasts mentioned: - percolator - fragmentum - Henrik Carlsson - Colin Walker - Colin Devroe
I am really enjoying listening to your Microcasts John. Chris Aldrich is right, I need to look into Huffduffer. It is something that I see mentioned here and there, but have never got around to exploring.
I think that I should also explore recording my own short casts. I have always been interested in podcasting, but never seemed to find the time and space. Maybe Microcasts offers an entry point.