Breakthroughs can take our work to new and exciting places, yet they rarely happen as often as we’d like. Are there ways to prompt these kinds of moments, so we can create them more often? Olivia Fox Cabane and Judah Pollack tell us how in their book, The Net and the Butterfly: The Art and Practice of Breakthrough Thinking.
There are four four types of breakthroughs: Eureka, Metaphor, Intuitive and Paradigm. Just as we build up resistance at a gym, Olivia Cabane and Judah Pollack talk about taking time to extend our neuroplasticity by breaking with our usual practices and embrace all the parts of the self. Three *super-tools* the authors talk about to support this include gratitude, altruism and meditation. In some ways this touches upon Doug Belshaw’s idea of [serendipity surface](http://discours.es/2016/increasing-your-serendipity-surface).
Veronica Belmont investigates the rise of social media bots with Lauren Kunze and Jenn Schiffer. Butter.ai’s Jack Hirsch talks about what happens when your profile is stolen by a political bot. Lisa-Maria Neudert measures how bots influence politics. Ben Nimmo teaches us how to spot and take down bot armies. And Tim Hwang explores how bots can connect us in surprising, and meaningful, new ways.
This episode is dedicated to unpacking bots. Along with Crofton Black and Abigail Fielding-Smith’s investigation into the influence of Twitter bots, Kris Shaffer and Bill Fitzgerald’s guide on how to spot a bot, and Kin Lane’s reflections on the waves of bots and Nicholas Confessore’s exposé into the follower factory, these resources provide a useful starting point for understanding bots and there implication on society today.
Scientists have identified 2 million species of living things. No one knows how many more are out there, and tens of thousands may be vanishing before we have even had a chance to encounter them
Go here for a written version of this Guardian long read.
Jordan Erica Webber explores whether our privacy has been compromised by the tech giants whose business models depend on harvesting and monetising our data. We speak to cyborg rights activist Aral Balkan; the executive director of UK charity Privacy International Gus Hosein; and to Kevin Kelly, founding executive editor of Wired magazine and author of The Inevitable: Understanding the 12 Technological Forces That Will Shape Our Future.
In the first episode of our four-part miniseries, Jordan Erica Webber asks whether our digital selves are owned by tech firms in a new form of slavery? One of the interesting points made was that in the past, people were often private in public spaces, whereas today things have been reversed, where we are public in private places.
Oz is the fourth studio album by Australian singer-songwriter Missy Higgins, and was released by Eleven on 19 September 2014. It is Higgins' first cover album, which is accompanied by a book of the same name that collects a series of essays by Higgins; using each song title as a jumping off point. The album's title refers to each of the artists covered being from Australia, as well as being a reference to the land of Oz as established in The Wizard of Oz.
I am always intrigued by cover versions. Missy Higgins’ album of covers is intriguing listening. She provides her own twist on a number of classic and contemporary Australian artists.
A few thought about my listening habits. Some microcasts mentioned: - percolator - fragmentum - Henrik Carlsson - Colin Walker - Colin Devroe
I am really enjoying listening to your Microcasts John. Chris Aldrich is right, I need to look into Huffduffer. It is something that I see mentioned here and there, but have never got around to exploring.
I think that I should also explore recording my own short casts. I have always been interested in podcasting, but never seemed to find the time and space. Maybe Microcasts offers an entry point.