Today, contemporary pop music has fully incorporated acid house’s sonic range, if not its production method. Producers used it as a starting point for the sound of R&B and hip-hop in the new millennium—in 2000, Timbaland’s backing track for Aaliyah’s “Try Again” used a TB-303 for its bass line, inspiring countless producers to imitate the sound on other synthesizers and computers. For his part, Pierre sees something prophetic in the name that he and Earl Smith chose for their work: Phuture. “Twenty-six years later and acid is still going strong,” he said in 2011. “You can see the proof of this when platinum-selling groups and artists like LMFAO and Skrillex are putting ‘acid’ in their songs.”
Shuja Haider talks about the sounds and methods associated with Acid House music. Along with the TR808, this article documents the place of the TB303 on modern music.