Representing two generations of game-changing hip hop production technique, DJ Shadow and Clams Casino recently caught up in New York City to tape an episode of the Talkhouse Music Podcast. They discussed their new records, Shadow’s Endtroducing….. remake, the ways that recording and sampling have changed over the years, and how it’s sometimes worth giving a great MC (like A$AP Rocky) a beat you were saving for your own record.
This conversation between DJ Shadow and Clams Casino provides an insight into the creation of electronic music. Both artists discuss hearing new possibilities in samples that then seed new tracks, as well as the evolution of technology used to produce and perform. One thing that really stood out was that being a ‘DJ’ is so much more than spinning discs, especially in an era when clearance is needed for each and every sample. I remember spending hours pressing the hold button on my Roland GR-700 and manipulating the sound on the Roland PG-200. Sadly, my tape recordings have log bitten the dust or else I could cut them up as Clams Casino discusses. I was also reminded of DJ Shadow’s analysis of Mutual Slump on the Song Exploder Podcast and the way the track was built around Bjork’s Possibly Maybe.