πŸ“š Bleak House (Charles Dickens)

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Bleak House is a novel by Charles Dickens, first published as a 20-episode serial between March 1852 and September 1853. The novel has many characters and several sub-plots, and is told partly by the novel’s heroine, Esther Summerson, and partly by an omniscient narrator. At the centre of Bleak House is a long-running legal case in the Court of Chancery, Jarndyce and Jarndyce, which comes about because a testator has written several conflicting wills. In a preface to the 1853 first edition, Dickens claimed there were many actual precedents for his fictional case.[1] One such was probably the Thellusson v Woodford case in which a will read in 1797[2] was contested and not determined until 1859. Though many in the legal profession criticised Dickens’s satire as exaggerated, this novel helped support a judicial reform movement which culminated in the enactment of legal reform in the 1870s.[3]

There is some debate among scholars as to when Bleak House is set. The English legal historian Sir William Holdsworth sets the action in 1827;[4] however, reference to preparation for the building of a railway in Chapter LV suggests the 1830s.

I succumbed to Amazon and signed up to two months of Audible. One of my discoveries was the classic texts that were freely available. I understand that Librivox provides free readings of classics, but these exclusive productions are professionally read. I chose Bleak House as it was read by Miriam Margolyes. Sadly, even with Margolyes’, I just got too lost in the story and abandoned it.

Marginalia

Of course there’s nothing new about Dickens being able to create wonderful characters. The difference here is that, while Harold Skimpole, Mr Tulkinghorn, Krook et al fizz with bright particularity, their job is to service the story – in Dickens’s earlier novels the endless cameos tend to derail the narrative. Bleak House represents the author at a perfectly poised late-middle moment in his extraordinary art.

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